The "duration" of the agreement indicates the effective date of the agreement and the date of its end. Below is an example of the length of time and termination of a music licensing agreement. This is part of the agreement that was previously cited in the licensing section. Dismissed: It is the person or party who is applying for a licence. When you create and record a new original work, you own the composition and sound recording. The creators and producers of musical compositions have exclusive copyrights for their works. They have the right to grant a third party selective or absolute rights (at its discretion) to use their composition for commercial purposes. In general, someone who wants to play a piece of music in public receives a "public performance license" from the rights holder (often the music publisher). As a general rule, the purchase of a copy of the notes does not give public performance rights. Rand: This means the two rights required to license a piece of music. Copyright is in principle the legal right to print, publish, record, film or record literary, artistic or musical material or such creative material for a period of a few years or even for life.
Paragraph 2 provides for a similar exemption for distance learning. Work may be done or posted by transfer to students enrolled in a course or to government officials in the course of their duties, without the need for a performance permit.  The exception does not apply to works manufactured and sold for distance online education. The performance or display must be performed under the direction of the instructor and be directly related to and support what is taught: it cannot be used as a pretext for the transmission of other works. Non-dramatic literary or musical works can be presented in their entirety. For other works, such as the exhibition of a film or painting, the representation must be "reasonable and limited." The exception applies only to distance education, which is part of the planned education. Works simply posted by a course director would not be protected. The educational institution must meet certain additional conditions. It must provide relevant faculties, students and staff with information that decryssing U.S. copyright and promoting compliance with the rules.
In the case of digital transmissions, the institution must take appropriate measures to prevent the unauthorized retention or distribution of copies of the work. B such as non-interference in the technological means that the copyright holder may have used to prevent reproduction. This is done through synchronization licenses and master`s licenses. This means - I would make royalties to 100% of the authors (50% of the cake) and that they, as my publisher, would take the other 50% of the cake - 100% of the publishers of royalties) AND they would all hold Sync? And master? License "Fee" paid by the television/cinema company? Is this the usual agreement for Sync licensing companies... .. Is this a good deal? It must be clear that you own and control all copyright and publication rights for composition and sound recording. Royalties are a payment to the rightful owner for the use of the property. The terms of the royalty are dependent on the licensing agreement between the parties.